My Solo Senior
Thesis Exhibition
Mula sa Aking Pananaw
(From My Perspective)
In 2006, my family bought a simple camcorder when we immigrated from the Philippines to America, carrying with it our hopes for a better life, for opportunity, and for a future we had only dreamed of. That camcorder became more than just a tool. It became a time capsule, capturing the quiet moments of our new beginning: birthdays, weddings, and spontaneous afternoons spent laughing together. We didn’t realize then how these small, fleeting memories would become the foundation of our story, a thread tying us back to our roots. Every year, without fail, we would gather around the TV during the holidays to watch those old videos. It was our way of remembering where we came from, of honoring the journey that brought us here, and of celebrating how much we had grown. Now, nearly two decades later, I find myself at a similar crossroads. For my senior thesis project, I’m capturing the small, often overlooked moments of my own life this year. Those quiet instances that, when pieced together, tell a story of growth and change. This project isn’t just about documenting my present; it’s a way to pause and reflect on how far I’ve come, to trace the steps that led me to this final year of college. Like the tapes my family watched every holiday, this work serves as a personal tribute to the journey, the milestones, the memories, and the people who have shaped me.
Where It All Began
In the background of the exhibition, a projected film made from my family's old camcorder footage plays alongside my paintings. By layering these moving images with my static works, I emphasize the act of remembering. Not just through still frames but through the motion of time itself. The projection serves as both a personal homage to my family and an invitation for viewers to reflect on their own histories, memories, and the moments that shape their identities. Through this work, I aim to preserve these fleeting moments before they slip away, much like the camcorder videos that shaped my understanding of memory, growth, and belonging from my perspective.
At the heart of this project are four paintings that act as a bridge between past and present, weaving together personal history and present-day reflections. Inspired by the collage and painting techniques of Njideka Akunyili Crosby, I layer collage, acrylic paint, colored pencils, and posca markers to mirror the way memory is fragmented yet deeply connected. The first painting depicts my present-day self reflecting with my younger self under a pillow fort, a space of childhood comfort and introspection. Each subsequent piece continues this exploration, tying together imagery from different time periods in my past with the evolving emotions and spaces of my current life.
Alongside these paintings, I have created 100 sketches, a different form of documentation that captures my present moment in real time. These sketches serve as an immediate, unfiltered record of my senior year, quick, fleeting impressions of daily life that contrast with the layered, reflective nature of my paintings.
Gallery Photos